Paul Bibbins delivers a powerful collection of high-energy rock tracks in his album ‘Disenchantment at a Distance – REDUX’. It allows the rock enthusiast to have an exhilarating experience through both guitars and rhythms combined spectacularly. This new album displays amazing slices of high-voltage rock performed with passion, thanks to Jimi Hendrix’s electric guitar and timeless riffs of rock n roll. How can one explain the seemingly chaotic sounds of different emotions as intertwined instruments? Quite simply, – there’s plenty of expressive Nostalgia-enough emotion to indulge in, but within stylized guitar tracks, song structures, riffs and passion that make it feel beautifully chaotic! It kicks off strong with a banger of a single called “Bold, Beautiful… and Long Gone!” A sizzling blend of chaotic vocals and incredible guitar mastery makes this such a glorious start to any album. Raw and honest, it sets the tone of the album well while striking the strongest balance between what can be called vibrant classic rock with some absurd modern qualities intermixed, without compromising any of the three.
The next song, “Up 25 High”, succeeds in its overall goal if the goal is to ensure the listener does not lose interest at any point and can keep tapping their feet at a steady, creepy, yet funky bass timbre with thoughts of catchy already heard riffs. Slower tracks are blended seamlessly with a very strong, in-your-face muted tone that at times sounds surreal yet elegantly gives memories of heavy blues to keep things coherent. Subtle aggression makes one ponder if they want the song as magic dust. The title track is called “Disenchantment at a Distance (in need of a good song)”, which does live up to its title. A melodic, repetitive longing bass and a muted fuzzed crying guitar distribute sombre grooves with scattered heavy rocking leads throughout the entire track. One pure, dense-face electric guitar is enough to keep one’s soul eternally happy, so putting two dense, heavy guitars fighting each other makes things so much more spellbinding. The final aspect is a storming longing bass that brings it all together. “Wayward Son of the Blues” is a very interesting album that certainly enhances the experience of blues music. It is heavy on harmonies and the lyrics are deeply moving. Below is an example where Bibbins’ skill in infusing passion into his work resonates strongly. The mood changes drastically with “Thrill Walk” which is an upbeat song that has some wicked riffs. This is the sort of song meant to be played in concerts which will have a great rapid pace.
One of the more interesting song is “Napoleon’s Wear the Big Hats!”, it combines comedies, historical aspects and some amazing guitar work. “Woman Across the Garden Wall” is a lot quieter, turning towards a more reflective, deeper, sentimental approach. It is a very well-made composition performed by Bibbins, a multi-talented person. “Vista Valley Drift” is also enjoyable, this time being instrumental. The song stands out on the album thanks to incredible soaring solos combined with smooth transitions. “As Love Rears Its Pretty Little Head” goes in the opposite direction since it closes the album. It is an emotional piece, well composed with beautiful guitar parts, both of which can be seen during the performance. With ‘Disenchantment at a Distance – REDUX’, Paul Bibbins made a very good rock album which is impressive. Every song is different from the other, and it can be listened to by anyone who is a fan of rock. Don’t forget to check it out on streaming services or buy the vinyl for the full effect.
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