Noah James Mass — Noah James Mass
“Noah James Mass puts the fuzz on loud, but never turns down the voice underneath it.” Noah James Mass arrives with a self-titled seven-track debut that immediately establishes a strong…
Starboard to Sunset – Without You Here
“‘Without You Here’ understands that grief isn’t only about losing someone—it’s about trying to keep them present when time keeps moving.” Starboard to Sunset’s “Without You Here” is a quietly…
TJ Wagoner – Time Will Only Show You
“Wagoner finds a groove in uncertainty, turning life’s sudden exits and fragile connections into a song that keeps moving forward.” TJ Wagoner’s “Time Will Only Show You” is the kind…
Reetoxa – Double A Side 2 (Akaroa / Erica And The Stars)
“Reetoxa turns two difficult chapters into songs that feel less like memories and more like places you can still return to.” Reetoxa’s Double A Side 2 (Akaroa / Erica And…
David Moore – A Wink Is As Good As A Nod To A Blind Mule
“Some songs preserve a moment; others preserve a person. David Moore has built an entire album around doing both.” David Moore’s A Wink Is As Good As A Nod To…
Michele Braid Topcu – Miss Grey
“Miss Grey doesn’t choose between softness and strength—she reminds us that real power is having the freedom to be both.” Michele Braid Topcu steps into a darker version of herself…
BRUNOTONES – Lust for Life
“After forty years of carrying house music in his bloodstream, BRUNOTONES finally turned the loop inside into a song—and it still wants to dance.” There is something wonderfully lived-in about…
SERAh – Going Nowhere
SERAh – Going Nowhere SERAh makes an intriguing introduction with “Going Nowhere,” a dark and cinematic melodic bass track that is less interested in giving the listener a triumphant release…
Freidrich$ – Doll, Here I Am
Freidrich$ gets unusually close to the listener on Doll, Here I Am, an EP that feels less like a carefully presented character and more like someone leaving the door open…
The Lazz – The Crown
The Lazz steps into a darker and more ambitious chapter with “The Crown,” the opening track of Act IV: The Return. Built around heavy syncopated guitar work, shifting grooves and…