JRMR is an exceptional solo act who began by crafting free instrumentals on YouTube, attracting over 15,000 views. As he honed his musical prowess, he shifted focus to his solo material, gradually establishing a distinguished catalog and reputation. His breakout mixtape, “Soul is Dead,” accumulated over 20,000 streams, and one of his standout tracks, “wind dust.,” garnered acclaim from A&R Factory as the quintessential ambient dream pop instrumental score. With his latest offering, “lucid lights.,” JRMR seamlessly blends IDM and experimental electronic music, taking listeners on a thrilling sonic journey filled with captivating soundscapes.
As a solo act, JRMR handles the keys and drums himself. Influenced by the likes of Radiohead, Portishead, Hans Zimmer, Arca, and Madlib, his unique blend of genres creates a mesmerizing experience. While JRMR hasn’t yet played notable gigs, festivals, or made radio or TV appearances, he did receive recognition from A&R Factory for his recent work. The self-produced “lucid lights.” showcases JRMR’s dive into IDM and his ability to replicate its intricate sounds and styles.
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In JRMR’s own words, “My main purpose in creating music is to comfort people during their darkest times and remind them that they are not alone in this battle.” With his evocative compositions and dedication to connecting with listeners, JRMR’s music resonates deeply and offers solace in an ever-changing world.
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Mortal Prophets, led by the talented John Beckmann, venture beyond the boundaries of post-punk, delving into the realm of no-wave music. With a penchant for deconstructing blues classics, Beckmann has taken on the task of reimagining “Born Under a Bad Sign” in a gothic, ethereal fashion. The result is a haunting and mesmerizing rendition that sees Beckmann’s baritone voice merge with shimmering and beeping effects, creating an otherworldly atmosphere that evokes a sense of wandering in a starless void, lamenting one’s fate.
Critics have been captivated by Mortal Prophets’ unique sound. Punknews.org describes their latest album, “Dealey Plaza Blues,” as hypnotic and bone-chilling. Wonderland Magazine notes the daring approach and haunting presence of Beckmann’s baritone in their dark version of “Born Under a Bad Sign.” Fame Magazine praises the dreamlike state induced by the track, transporting listeners into a realm of introspection and detachment. Scene Point Blank characterizes Mortal Prophets’ music as a fusion of post-punk and art-punk, infused with acid trip poetry.
“Dealey Plaza Blues” is a record that defies conventions, reassembling familiar blues and rock standards into something fresh and compelling. Through the collaboration of musicians Joe Filisko, Dylan Day, Tommy Bohlen, and co-producer Alexander Krispin, Beckmann breathes new life into tracks like “Hey Joe” and “Don’t Be Cruel,” revitalizing them for the 21st century. It’s not simply a revival; it’s a reimagining that strips these songs to their core essence and reconstructs them with a contemporary flair.
Beckmann’s diverse background and his hunger for groundbreaking music contribute to the unique nature of Mortal Prophets’ sound. From his formative years immersed in the cultural melting pot of 1980s NYC to his affinity for experimental German artists like Can, NEU!, and Cluster, Beckmann has always sought the new and the unconventional. A chance encounter with Gary Lucas, a former member of Captain Beefheart’s band, further shaped Mortal Prophets’ sonic landscape. The hypnotic and dub-infused title track, “Dealey Plaza Blues,” serves as a testament to this influence, captivating listeners with its avant-garde montage and its exploration of grief, paranoia, and conspiracy.
Ultimately, every track on “Dealey Plaza Blues,” whether a cover or an original, possesses an addictive quality that ensnares listeners. Throughout the album, an elusive and enchanting “juju” reverberates in the shadows, enveloping listeners in a dream-like trance. It is safe to say that in 2023, no other record will leave as indelible a mark as Mortal Prophets’ “Dealey Plaza Blues,” a daring and incomparable masterpiece that defies categorization.
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The Canadian music scene is buzzing with the emergence of The Press, a fresh band led by the talented Quinn Mills. Their debut single, “SNOWBALL,” has swiftly gained recognition and captivated listeners across the country. In an impressive feat, the track made waves within a mere week of its release.
Recently, The Press took the stage for the first time at Canadian Music Week, leaving a lasting impression on the audience. This exciting debut marks just the beginning for the band, as they have ambitious plans to embark on a tour of Ontario in the upcoming fall of 2023, delighting eager fans with their electrifying music.
Comprising Quinn Mills on vocals, Dan Kiss on drums, Jackson Rosenburg on bass, and Brent Barlow on guitar, The Press came together serendipitously through an encounter on Toronto’s online marketplace, Kijiji. Drawing inspiration from revered acts such as The Arctic Monkeys, The 1975, The Killers, The Strokes, and Muse, their unique sound fuses elements of indie rock, alternative, and post-punk.
Despite being in their early stages, The Press has already left an indelible mark on the Canadian music scene. With their impressive debut single and a memorable performance at Canadian Music Week, they are poised to captivate audiences far and wide. Keep an attentive eye on The Press as they continue scripting their narrative in the vibrant realm of Canadian music.
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Hit singer-songwriter Tom Tikka has just released his latest track, “Something New,” and it’s already making waves in the music industry. The song reached an impressive #6 on the MPE Play radio charts on June 3, and upon its official release, it stormed into the UK TOP 100 Rock Singles Chart at an incredible #4. It’s safe to say that “Something New” was a hit even before it hit the airwaves.
Tom Tikka, formerly a member of Sony/BMG band Carmen Gray and FBP-signed The Impersonators, embarked on his solo career in 2020 and has been consistently delivering outstanding music ever since. With two critically acclaimed albums, “This Is My Happy Face” and “Better Man,” under his belt, Tikka has garnered international success with chart-topping hits like “Doormat,” “With Eyes Closed,” and “I’m Done With Blues.”
Tikka’s talent and artistry have earned him recognition and praise from esteemed publications such as Huffington’s Thrive Global, Authority Magazine, Melody Maker Magazine, and more. Additionally, his captivating music videos have been celebrated at film festivals worldwide. With a remarkable track record of accolades, including two ISSA Awards, nominations for Josie Music Awards and Hollywood Music in Media Awards, and numerous positions as a semi-finalist and finalist in renowned songwriting competitions, Tom Tikka’s influence in the music industry is undeniable.
“Something New” beautifully captures the complexities of relationships, showcasing Tikka’s ability to craft emotionally resonant lyrics and memorable melodies. The song serves as a reminder that love alone is not always sufficient; compatibility plays a crucial role in sustaining a meaningful connection.
Fans and music enthusiasts can now enjoy “Something New” on all major music platforms, allowing Tikka’s captivating sound to reach audiences around the globe. With his ongoing dedication to his craft, Tom Tikka continues to solidify his place as a formidable force in the music industry, captivating listeners with his heartfelt and relatable compositions.
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